Helen Simard is a choreographer, performer and rehearsal director. After working with Solid State Breakdance for 12 years, an artist collective that combined street and contemporary dance, and participating in the creation of 9 shows, she switched gears in 2012 to lead her own artistic projects. As an independent choreographer, Helen collaborates with musicians and dancers to create raw, visceral interdisciplinary shows, including On the Subject of Compassion (2011), Can You Hear Me? (2017) and Dance Side of the Moon (2018). She uses the codes and aesthetics of rock music , creating lively, interactive performances that challenge the conventions of stage dance forms. For 6 years, her research was focused on the icon of American punk rock, Iggy Pop. Inspired by the music, persona, and cathartic dances of this legendary performer, she created a cathartic and hallucinatory trilogy of interdisciplinary works— NO FUN (2014), IDIOT (2017), and REQUIEM POP (2019)—, which were presented by Tangente Danse, La Chapelle, Agora de la Danse, Centaur Theatre and OFFTA in Montreal, as well as SummerWorks (Toronto) and Dancing on the Edge (Vancouver). A graduate of the BFA in Contemporary Dance from Concordia University (2000), Helen also holds a MA in Dance from UQAM (2014).
Photo : Roger White
Yves Rocray, EDCM Director, appointed ADESAQ President
The student Marie-Maxime Ross receives the Hnatyshyn 2019 grant
Two European choreographers in residency at EDCM on March 2020